Every writer needs an editor, even the most talented ones. And no two editors are alike. They do different services from critiques, content-editing, line-editing, copy-editing, and proofreading. They also have different editing styles and reasons. That is why I have gone through too many different editors. Many have been helpful and rational, but a lot have also been too controlling and even turning my words into their own—practically making my stories their own. I have never used them again.
However, when they give constructive feedback, there comes a process that I often go through: denying, rethinking, accepting, and writing. I could call it DRAWing.
I often love what I write, even if it’s unnecessary or serves little to no purpose to my content. When an editor asks me to change or cut something I admire, I will often deny his or her recommendation. This is natural as I don’t want to believe him or her.
After a little while, though, I do rethink the editor’s suggestion. I consider why he or she said that. Often times, it ends up making sense.
Unless it will screw up the story or any major material, I usually end up accepting the request at some point. Sometimes I even twist a suggestion. For example, if an editor asks me to remove an unnecessary element, such as a character, I will figure out a way to make it important. This has worked at least a few times.
And then the final step, obviously, is to keep writing. Some stories are not meant to be enjoyed or sold, though. I’ve learned that a little too late. I have published five books, but only one is available to buy. The other four weren’t exactly good enough for the market. However, I had not realized that years before. I’d even pretested them with pre-publication feedback, and they got mostly positive feedback.
This process still applies to me now. It probably will forever.