It’s been a while since I’ve shown a piece of art I did recently. That is because I haven’t been doing much of it these days. Don’t get me wrong, I still enjoy art. I just have other priorities.
Anyway, I sketched this image based off a tourism pamphlet from my house. My parents went to upstate New York (I’m from Long Island) and brought back a wildlife guidebook.
Since I wanted to vary my drawing subjects, I decided to draw the bird on the front cover. Of course, there are differences, besides the lack of color and the pencil marks. I simplified the plants in the background and even changed some. As for the bird, I started off with simple shapes, a technique I learned in college.
The paper was also not a cream tone. It just came out that way when I photographed it with my phone and adjusted some aspects in order to bring out the image more. Despite that, I decided to keep the background that beige. I feel it adds some sophistication and aesthetic.
Will I color this in? Maybe. After my other priorities are out of the way, I could color or paint it, either with traditional or digital media. But I am not sure, as of now. What do you think of this?
That you’re looking at is a steak I drew from observation. But it was not from a real one… a photo of one. I know it doesn’t really resemble a steak. That is when I discovered a surprise: food is hard to draw.
It is so weird, because I can usually draw pretty much anything. And no, not because I’ve been doing art since I was very little. In recent years, I took a lot of still-life drawing and painting, figure drawing (which I received an A in in college, not to brag), and much more.
Up until maybe a few weeks ago, I hardly ever did any art. Not because of the stress I’m experiencing during this stupid pandemic, but because I am discovering that I am more of a writer than an artist. That being said, I do enjoy art. I would just rather keep it as a hobby rather than a career focus.
I don’t know if that’s the reason why food is hard to draw accurately, or at least not in an ameteurish manner. I looked up tutorials on how to sketch food. However, the results I received from Google were not exactly the right kids for people like me. They targeted more beginner or naive “artists.”
I guess my approach will be to draw actual foods in person from observation. But not just any kinds… the simple fruits and vegetables, like apples, oranges, and eggplants. I will save drawing things, like steak, pasta, and other complex dishes, for when I feel ready and I have improved the traditional still-life food items.
Have you ever tried to draw a room? How about a whole one? Did you struggle?
If the answer is yes to the last question or all of them, then fret not. I, too, have had trouble drawing an entire room from all angles, corners, and points-of-view. I’m sure it is possible, but probably very difficult. The Internet doesn’t offer much information about creating an entire room on paper or digitally. And if you’re not an architect, it may even be harder to execute the sketch or image you want.
However, there are other ways to make a room without having to study architectural drawings, unless, of course, you want to be an architect or already are one. Otherwise, check out the ideas below:
1: Model a room with sculpting materials
This can depend on your artistic or 3D modeling skills, both traditionally (without technology) and/or digitally. You can use inexpensive clay to build your room dimensions and designs. If you have the time, talent, and money, you can also try 3D-modeling programs.
2: Draw different angles or points-of-view as separate sketches for the room
This is what I usually do. The drawing above is not what the intention was, though. I had to observe and sketch an image for a college assignment. However, I did try this technique for other drawings that I did in my spare time for fun. I even show a couple of illustrations of a room I did on another post.
With this technique, more thinking and planning may be required. But it should be okay as well as less hectic than the 3D-modeling option.
The two techniques have their own pros and cons. Of course, it’s up to you in the end what you think will work, depending on your situations. It also wouldn’t hurt to try an approach you’ve never done before. Hope this helps.
After doing hardly any drawing and other forms of art, I have returned to it. While I was worried that my skills have decayed or were going away, it turned out that they remained. That’s right—I drew a picture of a boy from a photo and it came out like this:
This is just a rough, observational sketch I did of the kid. I am working on finishing it at the moment with outlining and coloring it in Photo-shop. I wanted to do it traditionally, though. By that, I mean with pen and markers. But not the generic kinds—the sophisticated types. However, I couldn’t find my fancier markers. It was probably because I am donating a portion of my art supplies.
I’m not giving up on art, though. They just took up too much space in my room. Plus, I kind of like Photo-shop better, even if it can spoil me and cause laziness.
That being said, I still enjoy non-technological media, like pens, markers, paints, and pencils, which is what I used in the drawing above. I still have the fancy pens, but I didn’t think of looking for them.
Anyway, let me get back on topic. My drawing skills remained the way they were last. So did the techniques I used in college courses, such as figure drawing. I started with the interior lines and simple shapes before refining the details. And the image still came out well.
The message I want to send to you is that not every talent you possess will deteriorate if you don’t keep up with it for a while, especially if you’ve been working on it since a young age. I’ve been doing art since my early childhood and have been using it regularly as I grew up.
In order to get through the pandemic without highly stressing out over it, my friend, “Veronica” (not her real name) and I are collaborating on different art projects. The first one we worked on were medallions with abstract designs. This was inspired by an assignment I did in college. In an art class (I was a fine arts major), we had to do a large series of small drawings. So, my professor suggested medallions for me.
When the pandemic happened and I was (and still am, big time) tired of not being in control of my life, my mom sent me an article, where it said that helping another and vise versa can improve your feelings. After thinking about ideas, this is what I came up with: collaborative art projects.
Because I was an art major in college, I had to learn a lot of vocabulary related to it, as well as how to critique forms of creative works. That is what I applied to when helping Veronica.
I drew a few abstract designs inside circles, and then finalized on this one to color.
The markers were old, so they were kind of faded. However, it also allowed me some room for dimension with the various (and unintentional) tints and tones. I also picked colors that I felt would go well with one another.
The same happened with Veronica. She also colored in the shapes that she felt went together well. The shapes reminded her of different objects, too. So, she picked hues based on what the elements looked like to her.
Another thing she did that I also used to do a lot was turn the paper when drawing and coloring. She said that she learned the technique in school. Below is her medallion.
She colored one section all maroon, which is when I taught her the idea of filling in each shape between the lines a different color. I also informed her about something the same professor told me about one of my projects later in my college career. If it were copied into a black and white replica, it would be all the same tone. I used it as a compliment on how Veronica paired the hues.
The message you can take home is that you can help someone close to you with anything that you’re strong in and that the other person may benefit from. Hopefully, this will work for my friend and I, as well as pretty much everybody.
Throughout my whole life, I have been doing art. I would constantly draw from when I was a small child to my adulthood. I even earned a BFA in fine arts when I graduated college in 2017.
However, since then, I discovered something different about myself. That is—I am doing more writing then art. Perhaps, I am enjoying writing more.
Don’t get me wrong. I still like doing art. But I would rather keep it as a hobby than take a career path in that field. I did a lot of research on careers in art and design. Although many of them looked exciting, the salaries didn’t satisfy me. Plus, I’ve been working on more writing projects during the past few years.
One thing I’m concerned about, though, is if my artistic skills are deteriorating. I hardly ever drew or painted anything this year. And no, not because of the pandemic. But when I drew a picture recently, even though it was supposed to be very simplistic, it didn’t come out too well. My shaky hands could have contributed, however.
I actually don’t think it’s too likely I am losing my ability to draw. Yet, I do think it is important for me to keep up with it, even if it remains just for pleasure. So, I will make some time to go back to my art.
You haven’t seen an art post in a while. That’s because I haven’t been doing a lot of it these days. However, there is something about it that I discovered quite recently. Obviously, it’s about character design. You want to know what it is?
It’s how I was better at it at age 13 than at age 23 in 2017. Okay, you may be looking at me like I have 4 heads. And at the time 3 years ago, when I was 23 and finishing college, I didn’t realize or think of it. But I could portray characters more accurately, based on their personalities, when I was just 13 years old.
Well, they weren’t my own characters. They came from the “Harry Potter” series. At that age, I enjoyed the franchise very much to the point that I did fan art of it. But most of it was silly and the characters did things they would never do. However, that’s a different story.
Aside from the wackiness, I also drew the characters alone, with facial expressions based on their personalities. Below is an example.
I must applaud myself for drawing (movie) Snape pretty well when I was 13. I also liked to use arrows to direct at the characters, which I don’t think is conventional in character design. But I could be wrong for some companies or designers.
Ten years later, in my final semester of college, I took an illustration course. One of the things we had to learn was character design. However, I just drew characters in stock poses. The example below is a replica I did of when we had to design characters for a comedic live-action TV show since I don’t have the original anymore.
It wasn’t this sloppy. I just did it from memory. Plus, I haven’t been doing a lot of art these days. I’m hoping my skills aren’t deteriorating.
Anyway, that above is supposed to be Megan from “Drake and Josh.” I used a simplistic style since I felt it was appropriate for a slapstick comedy. But when we did a class critique, somebody pointed out that I could have given her a more sinister look based on her personality and traits.
If you’ve seen “Drake and Josh,” you know that Megan pulls pranks on her older brothers, but her parents find her innocent. So, a wicked smile would have been more suitable.
Another assignment we had to do was illustrate a story that Disney did not adapt. I picked “Perseus and Medusa.” Just like with the other assignment, I drew the characters in stock poses again. Even though I don’t have it anymore, I illustrated Perseus with a default smile on his face. That was when I learned not to do that anymore.
So, from that point on, I portrayed the characters more accurately based on their traits. Below is an example of another character from the same Greek myth.
For those who don’t know, Polydectes was an evil King in “Perseus and Medusa.” This is why I drew him the way I did.
If you are interested in learning character design, it is important to know as much about them as possible for you to illustrate them for whatever project you work on. Even if it’s only for personal use, these tips could come in handy.
What is a reference image, you may ask? It is an image an artist uses to help him or her create something by making it similar, but not exact. For example, if you use a house photo as a reference image, you may draw some things the same, but maybe change the shape of a window, remove a decorative touch, or use a different color for the roof.
For me, when I want to draw a person whom I have a specific envision for, I refer to different pictures to create the subject. I may use one picture for the face shape, another for the eyes, nose, mouth, and so forth. And guess what? Referring to photos makes a big difference for the aesthetic of the drawing I make.
Below is a drawing I did of my book’s main character with hardly any reference material used.
I find this sketch to be very unattractive. Not because of the photo lighting quality or the pencil marks, but because the face doesn’t look appealing. Proportions are kind of off.
So, here is a revised sketch I did of this same character. That’s another tip: revise your drawings if you feel it’s necessary.
It’s a little better than the previous drawing. However, the eyes are too big, and when I tried to adjust them in Photoshop, it just made the girl uglier. And she’d supposed to be more beautiful to me.
So, here is the third revision for the image:
She is starting too look more attractive, but the forehead is a bit too big. Also, this looks like it was cut and pasted on a solid-colored background. Honestly, I think it appears amateurish.
Now onto the final and best portrayal of my protagonist.
This is where I got serious into using as much reference material as possible. Hardly any of the features drawn were from my imagination. Of course, I didn’t copy anyone or make the girl resemble any real person. But thanks to the different approach, this is the best drawing out of all four. It kind of reminds me of a “Charlie the Unicorn” style. You know—the YouTube series about a cranky unicorn who gets taunted by two hyper ones. All right, that may be beside the point.
Anyway, for those of you who draw, you may want to consider the advice of reference material and revising your drawings. Hope this helped.
Adobe Suite changes over time, including Photoshop. That means they gain new features as well as alter existing ones. Unfortunately, a handful of elements go away, too, such as fonts.
When my computer needed to be rebooted due to some virus, I
had to reinstall and download everything. So, when I downloaded Photoshop, it was
a newer version. Therefore, changes have been made and I had to adjust to them.
But when I opened a file of an image I had with text, the fonts
were missing. So, I could not use them. I had to delete them and replace them with
However, this was a cover of a published book that needed to
be updated. I was giving the story a new title. So, without the designated
font, I had to figure out what to do.
I considered downloading the font from the Internet, which
you can do. I might have found that removed font. However, it didn’t seem to
make it into the software.
That was when I came up with another solution. I opened Microsoft
word, and luckily, I could still get that font there. So, I wrote some letters in
big sizes, took a screenshot, opened that file in Photoshop, and altered them to
match the font I’d originally used. I also created a library designated for symbols
of that font.
But they are images and not symbols you can use your keypads
with. For instance, you can’t delete them with the backspace, move them with a
space or return key, and so forth. If you want to make a word, you have to drag
them with your mouse or touchpad. You can use keyboard shortcuts to put them
near or far from each other with the transport tool, though.
I think it would be good for anyone to create a library of
different symbols in various fonts, just in case they go. If they’re common or
standard fonts, such as “Times New Roman”, then it’s unlikely that they’ll
disappear from a program. Still—better prepared than to have to scramble for
the same or similar styles.
Pretty much all of us have drawn in our youth whether it was
required in school or for pleasure. Regardless of that, only some of us have
taken our artistic activities seriously and honed them to produce quality work.
This post will focus on the face and why it can be difficult
to create with accurate proportions. And no, that doesn’t count the simple smiley
faces or the stick-figure heads. Anyone could make those easily. This will be
about drawing the face as best as possible.
One fact I learned when creating faces was that the eyes are
separated by one imaginary eye shape. In other words, you could fit a third eye
in between the two real ones.
The mouth is also difficult to line up where it belongs. Not
only because people move their mouths and have different shapes of them, but also
because getting them in the center is challenging. So, it’s a good idea to have
lines to guide you when you draw.
But the biggest struggle with the face is probably the nose.
You want it to look attractive and, at least, kind of realistic, depending on
your artistic skills. But you also might not wish to make the human look like he
or she is wearing a nose costume.
What I do for that is shade or draw one line that leads up
from the nose toward the eye area. It all depends on your style or plan as well
as your talent.
So, yeah, the face can be a bit of a challenge. However, it
can also be fun. After all, many folks like creating different variations of
Having reference material can also help. You use it as
inspiration, but not copying (unless that’s your intention and only for