Writing

Your Story Might Work with Fewer Words

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Sometimes, less is more with writing. If you write regularly and have studied the craft for years, you may have heard the term, “kill your darlings”. That means you should eliminate anything in your project that isn’t necessary, whether it’s content, like a subplot, scene, or character, or unnecessary words.

This was a big struggle with my own writing. In my early writing days, I would write too little. However, as my skills improved, so did my ability to produce more words in my work. Little did I know that a good number of those words were not needed.

This was especially an issue with my series’ second installment, “Wizardry Goes Wild”, which is now retitled “The Unruly Curse” and has been given several changes, including…a shorter word count. I’ve discovered, when editing that story, that nearly 20,000 words weren’t necessary. Reviewers had even complained about the writing, and I’d thought they had been crazy, as it’d felt perfect and flawless to me. In fact, I’d thought it’d read like a traditionally published bestseller.

Anyway, due to the unsatisfying reviews (but not enough that the overall rating was poor or even just neutral), I pulled “Wizardry Goes Wild” off the market and edited it. I had eliminated 13,000 words and republished it as “The Uncontrollable Curse”. In spite of the reworking, the reviews were, at most, just as unpleasing, if not, more.

That was when I got a content edit from an editing service. Although this wasn’t their idea, I removed two chapters from the story. They didn’t serve much of a purpose.

When I republished book 2 the third time as “The Unruly Curse”, the readers gave better reviews than the previous times.

So, remember, always read through and edit your work, as well as have someone else do the same. And I suggest it’s NOT somebody you know personally, as he or she may be biased and afraid to hurt your feelings. After all, your story may need fewer words than you might realize.

Writing

Publishing When You Think You’re Ready, But Really Aren’t

I’ve had such a bad habit of publishing when I thought I was ready, but really wasn’t. Now I have a bunch of books on Amazon that are unavailable, but sadly, still listed because hardcopies stay on retail sites forever. Now I have given myself a rule to not publish paperbacks unless my reviews are great, not just good or decent. But that’s another post.

Before publishing my books, I have pre-tested them to see if they received satisfying reactions. They have. But after I published them, while many reviews were good, the overall ratings were not amazing.

That’s what you want when you publish fantastic, wonderful reactions. I’m not exaggerating. I’ve experienced receiving just good enough reviews. And believe me, they aren’t as satisfying as they sound.

So, now I have a second version of one book published and a third version of that story’s sequel on pre-order. It took me seven years to find my writing voice and for it to mature. I’ve had a habit of wanting to share my stuff with the world, even if it was no good. Now I’ve learned to hone and make my works the best they can be before letting anyone see them, unless it’s for editing or critique.

So, before you get excited about letting the world see what you’ve made, pre-test it with others, and see if the feedback is excellent. I mean that. If it’s only okay, you’ll regret your decision later. So, take your time with your ideas.

Writing

Why You Should Wait to Publish a Hardcopy of Your Book

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I know, I know. Many people prefer hardcopies over eBooks. Many writers and publishers will say you should have a hardcopy or paperback available with your eBook.

I agree…if you’re satisfied with your reviews. I realized this recently. I’ve published too many premature books that got just okay reviews but not super-satisfying ones. So, I removed them from the market. However, only the eBooks are gone forever. Sadly, the print books will be there for the rest of time. Amazon and other retailers list print versions for third-parties to sell copies, even if the author removed them from the market. And if the paperbacks and hardcovers are listed permanently, the reviews will be there forever.

Now I have a bunch of books on Amazon that aren’t available anymore (except maybe from third-party sellers) but will never be taken down. I hope it doesn’t ruin my reputation as an author.

That’s when I started to give myself a new rule: no print copies may be published unless I have at least a few reviews that are very satisfying—not just so-so. That way, if I’m not happy with the reviews, I can remove the eBook and the listing shouldn’t stay up.

If you’re traditionally publishing, this might not work as the publisher will have the rights. But if you’re self-publishing, then I would highly recommend this, even if you send out pre-publication copies and they’re all satisfying. That excludes people you know personally.

I have an eBook on pre-order and it’s the third time publishing a particular story that has only okay feedback the first time and even the second time, despite the drastic changes I made. I revised and removed even more material in this third edition. I am still nervous about the reactions, both before and after publication.

Hopefully, the reviews will be more pleasing than ever. But if they’re not, I will know what to do.

Writing

How I Wish I Could Write Several Novels at Once

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I’m an author and authors constantly write. However, I am weak at multi-tasking, even with writing. For years, I could only work on one novel at a time. But that meant only one publication every few years. And that is not very fair to fans or readers.

I’ve been doing research on writing more than one story at a time. Many writers can do it. Some do it because they have too many ideas floating in their heads. Others do it because they want to meet deadlines sooner, especially if they have agents.

I’ve tried many times but have failed… until now. I am working on two works at this time. Well, technically three as I am having one project edited. But this is a huge milestone for me. It’s not easy. I am glad that I started with a small step of only adding one extra project. There is a technique I read about somewhere called drafting. That is when you work on one story draft at a time with different projects. For example, you write a draft of story a. After you finish that draft, you do a draft for story b. Basically, you work on one story at a time, but go to another one after finishing a certain draft rather than spending a long time on just one story.

I am not really doing that, though. I have been working on my third novel for over three years, although the first two years were spent trying to figure out the story. I am now working on the third book and the first draft of my fourth book at the same time. Sometimes I am designating certain days for one story. Other times I am working on whichever I feel like.

If you want to work on more than one story at a time, I would definitely recommend you go for it. In fact, many big authors work on more than one book at a time. If you’re serious about publishing, then I would emphasize on this even more. If it’s traditional publishing, depending on the contract you have with an agent or publisher, it may work. However, traditional publishing takes longer, and you have no control over the process or time. If you’re self-publishing, you have total control over your projects, when you publish them, and the time it takes to publish. If you do Amazon KDP, you can choose a release date up to three months (I think) ahead if you choose the pre-order option.

The reason I want to work on more than one novel at a time and write faster is because I don’t want to keep people waiting. Plus, I don’t want my final installment to be ready when I’m, like, 40. Not that I have anything against publishing at that age (many authors are, at least, that age). Plus, my writing will likely be more mature by then. I just don’t know where I will be in life then. I’m only 25 after all.

My goal is to have my entire series published by my 30th birthday. No, I am not looking to become the youngest author with a full series. I just want to keep readers up to date more often. Plus, I have a better idea of where I’ll be in five years versus fifteen. I know I can make this work.

Writing

The Struggle with Sequels Standing on Their Own

How many of you have written a full-length novel? If so, congrats! What about a series? Extra congrats times a million! Now can your sequels stand on their own?

I don’t know about others, but for me, getting a sequel to stand on its own was the biggest challenge for me. It ended up connecting to my first book too much. Maybe because of how I ended my first book (don’t worry, I won’t say how)?

To get a sequel to stand on its own, you need just enough backstories to get the reader caught up with what happened in the first or previous installment. It’s going to be a bit hard, depending on your story.

It took me nearly three years to complete my sequel (which is temporarily off the market, but will return as a second edition soon). And the biggest reason is probably because I had trouble making it stand in its own.

Depending on your storyline, you will need to include backstory that is relevant but also makes the sequel stand on its own. My problem was that I hadn’t included enough. But with the help of editors, it worked. And many readers said that the sequel was able to easily stand on its own.

It may also be necessary to summarize your first book in one or two paragraphs in your sequel. Obviously, do it when relevant and don’t get too hooked on certain details.

The best way to test if your sequel can stand on its own is to have editors or beta readers look at it and give you honest feedback. You won’t be able to judge by yourself.

Anyway, thanks for reading. In the meantime, you can check out my novel, “From Frights to Flaws, 2nd Edition” right on Amazon.

Writing

Dictate the Darn Story If Necessary

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Typing is probably the most common way to get your story down. In fact, it is also necessary for submitting for publication, whether it’s commercial or self-publishing.

There’s also handwriting when you’re drafting. I find that works best for me a lot, especially because you don’t have the Internet or other computer-related distractions.

And then there is something I’ve discovered quite recently. It is called dictation. That is when you put up your program microphone and speak into it. The words then come out on the screen.

You need to be as clear as possible, otherwise the words will come out incorrectly. That has happened to me so often. Obviously, you should only do it in your home, or maybe a hotel room, as long as you’re not too loud.

How do you set up the dictation feature, you may ask? On a PC, it is the Windows keyboard and the H keyboard. On the Mac, you press the FN keyboard twice.

It might be exciting to get started ahead right away without thinking. Maybe you can do that. However, I cannot. I need to have words pre-written before dictating them into a program.

I have them handwritten and read off of them. I also have to edit the wrong words constantly. And I have to avoid transcribing made-up words or even uncommon names. I have made-up words because I write fantasy.

It takes practice to do voice dictation confidently. I have yet to master my use of dictation. I will make it there some day. After all, it is often said to be the quickest way to write your story.

Writing

Pick Your Publisher Wisely

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Have you written a book? If so, good. Can it please strangers? If yes, great. Will it sell? That depends on who you publish with.

Traditional publishing is difficult to get into. You can get rejected, even if your book is a master piece. If you do get accepted, you have to give up control and wait for your book to be published, which can take months or years.

Self-publishing is easier and quicker. You keep all control and can have a book within hours.

Then there is hybrid publishing. They accept and reject authors, may let them keep their book’s right, and do other things that combine traditional and self-publishing. It’s not exactly the most encouraging, though.

And lastly, there is vanity publishing, which is often called self-publishing by many. They let you keep all the control, but they charge you for publishing (between hundreds to even thousands of dollars) and other services, like press releases, revisions, and more. Despite that, books from those companies usually don’t sell too well, even if they’re well written. I did so much marketing and promotion with them when my books were first published. And even though the books pleased strangers, they only sold an average of 25 copies a year.

I believe it’s because people do not trust vanity publishers. I regret using them. One was fine and I got along with the company. Another, however, constantly forced me to buy services, even if I couldn’t afford them. They wouldn’t let me out of anything. I got mad at them at least a few times.

I’ve learned the (kind of) hard way to not use vanity presses. People apparently judge books by their publishers. Books that may be worthy of becoming bestsellers may hardly sell if published by a vanity press.

Traditionally-published books sell the best. Self-publishing is fine too. In fact, the author is responsible for marketing on their own with either route. Commercial publishers might only market for top authors these days.

If you self-publish, I’d recommend using companies like Amazon’s KDP program. It’s free to publish. People trust books from them more. And books from there tend to sell much better than vanity-published ones. How do you tell if a company is a vanity press? Look for things like publishing packages. So choose your route wisely. I would avoid vanity presses at all costs. It’s better to get traditionally published or self-publish through Amazon KDP or even Ingram Spark.

Writing

Want to Publish a Book? Here’s What I Learned

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We all dream of being published authors with people enjoying our books and getting the same popularity and attention that big authors, such as J.K. Rowling and Stephenie Meyer, have received.

However, it is not easy to become just a decently well-known author, even for those like Alice Hoffman or Gail Carson Levine. What I wished I had done before publishing two books (which, unfortunately, are temporarily going off the market), was building a platform. No matter what route you take, whether it’s traditional, hybrid, or self-publishing, you need to establish a fan base before.

Even if you get accepted by a big publishing house (which is extremely difficult), they want to see how many people have heard of you and admire what you do. That excludes people you know personally. Think the publishing house will market your book for you? Think again. These days, regardless of what publishing route you select, you need to market your book on your own.

I self-published my novels without building a platform prior and knowing that children’s self-published books are among the hardest to sell. While I did a free promotion for five days, and got 1662 free downloads during that time, my sales were only around 25 a year, even after the free promotion ended.

I am working on a non-fiction book and am considering hybrid publishing it. Hybrid publishing is a mix of traditional and self-publishing. They accept and reject books, but let you keep some control. They are not all alike though. Some lean toward the commercial method, where if they do accept your story, they have all the control for its production, cover design, title, and even content, and some lean toward self-publishing, where they let the author keep the control, but might not care much about the content, title, or design.

If the non-fiction book is successful after release, then I will re-publish my novels. But having a platform (Facebook fans, Twitter followers, etc.) is absolutely important. I have done a ton of promotion and marketing techniques for my novels. I could go on and on with a list, but everything I have done has gotten me little to nowhere. People don’t usually like to buy books from unknown authors, because they worry about wasting their money. That is why every aspiring writer or any kind of creator needs a platform.

**Update** I have self-published my non-fiction novel through Amazon KDP instead.