Writing

Stories Within Stories: When They Work, and When They Don’t

Image from Pixabay

Have you ever read a book with a story within it? I have. 

A notable example includes “The Tale of Three Brothers” in “Harry Potter.” In cartoons, there is “The Crimson Chin” in “The Fairly OddParents,” and “The Justice Friends” in “Dexter’s Laboratory.”

In a book I read, it started out with a background description as well as a bunch of characters. One was an old lady reading to a group of children. I would have continued that story, but it bored me since after several pages, I couldn’t get to the action. The woman just kept reading.

I agree with many experts that stories should start as close to the inciting incidents as possible. Prologues are also not recommended these days unless done exceptionally well.

Anyway, back to the topic. I don’t think the story in a story idea should be reserved for top authors. However, it should be relevant to the main plot, engaging, and not too long. Otherwise, the reader might give up.

You could do a spinoff as long as it will work and keeps your audience engaged. I have a spinoff of my current book series in mind. I won’t spoil anything, but I will say that it’s not a story within my books. It might be years until I write it, though.

Do you like stories in stories?

Writing

Writers, Should You Hire a Beta Reader?

Image from Pixabay

What is a beta reader? It’s someone who gives you feedback on your story and its literary elements, such as plot, characterization, conflict, etc. They don’t edit your work or rewrite weak sentences.

So, if you are considering hiring a beta reader, here are some aspects you should be aware of.

Pros

Cheaper than traditional editors

Many book editors, especially those who have worked with big-name best-selling authors (like Stephen King), can charge lots of money for their services. They can range from hundreds to even thousands of dollars.

There are people with that kind of money. But unless you are one of them, start off with a beta reader.

Can return work more quickly 

Depending on the editor and the work, it can take at least a week or month to have the project returned to the client. From my experience, though, beta readers may take less time before they give the customers feedback. This can vary, however, depending on the reader and other factors.

Cons

Might not necessarily answer the writer’s specific questions 

With my last beta reader experience, I sent a bunch of questions to the person that concerned specific issues in my manuscript. The beta reader clarified that she was not an editor, so I said that she could answer the questions she felt were relevant. Sadly, she didn’t answer any.

Can be tough

Despite working on my manuscript for nearly 5 years, the beta reader said it needed a ton of work. Other beta readers bashed my projects, too. However, when I showed them to editors, the stories pleased them. For my current WIP, an editor said that it was strong and only needed minor editing.

I don’t know how typical it is for beta readers to be super-tough, but I am giving my manuscript to other beta readers as well as a developmental editor.

Remember to do what you think will work for you.

TV show

Review of “Very CatDog Christmas” (1999)

Warning: Contains spoilers***

Cat and Dog are preparing for Christmas and go to the mall, where various animal children stand in line to sit on Santa’s lap. Santa is also the only human in that universe. Not long after, a VIP’s spoiled daughter, Rancine, whines about how she wants the CatDog. Dog convinces Cat to take the offer, but he doesn’t agree with it. So, Rancine cries while on Santa’s lap.

Shortly after, Santa is furious and cancels Christmas, where his sleigh erases every holiday element and decoration. Even CatDog’s Christmas tree is gone, so they get creative and try making their own. Then they realize that spending time with loved ones matters more for Christmas than the stuff.

This special interested me a bit when one of my friends wanted to play it at my 24th birthday party a few years ago. Like my guests, I found it odd that Santa was the only person in an animal world. I also found Rancine unlikable, not to mention that her dress is so short and her underwear shows. That’s not exactly age-appropriate for someone as old as her.

But the strengths include the morals and the engaging element of a childhood show. I think it’s a great special that everyone can enjoy. I would rate it 4 out of 5 stars.

fiction

Review of the Book, “Are You My Mother?” by P.D. Eastman

Warning: contains spoilers***

I don’t usually review picture books. But since I watched a video of my friend reading “Are You My Mother” and really enjoyed it, both the clip and the story, I will review the content. This book was actually a favorite of mine when I was little. Anyway, let me start.

A mother bird is sitting on her egg and figures that her baby will need food. So, she flies away to fetch something for her young. Then the baby bird hatches and leaves the nest to find his mom. He asks different creatures and even a boat and construction machine, which he calls a snort due to its sound, if they are his mother. Eventually, he finds his real mom and shares a bonding moment with her.

The story was nice and fun. I especially found it cute when the baby bird called that construction machine a snort. I told that to my friend and he found that funny. I also agree with him about how the baby bird doesn’t seem to understand genetics. Lol.

That being said, one flaw that stands out to me is that the mother bird wears a bonnet, even though she’s a wild animal. Unless she was released into the wild by a human and already had the bonnet on, it’s quite odd and unbelievable. Even if she found it, how would she put it on when she doesn’t have apposable thumbs?

Although this is the main purpose of the plot, I found it irresponsible for the mother bird to leave the nest and her baby alone. He even passed his mother when looking for her and didn’t know that was her. But maybe it is scientifically accurate for a mother bird to leave the nest and young to find it food before it hatches.

The story was still great. I think pretty much everyone has read it in his or her childhood. I would rate “Are You My Mother” 5 out of 5 stars.

fiction, movie

I Want to Make Comic Book Adaptations of My Books

Who wouldn’t love to see visual versions of their novels? Many writers dream of their books becoming movies. But only a handful of books get adapted to films, and the authors usually don’t have any creative control whatsoever. Only big names, like J.K. Rowling, may be allowed control. The filmmakers often say that what looks good written on paper may not necessarily translate well to the screen. They also worry about their chances of success if they permitted the author creative control.

Regardless of what movie crews claim, I notice that it often backfires. Many film-adaptations of books where the authors were completely left out of the projects have mixed or negative overall reactions. Those, such as ” Harry Potter”, do better. The books already sold well on their own prior to the movies being optioned.

I, too, have dreamed of my books being movies. In fact, I used to try and sell film rights through certain sites many times. But it was too premature and no one would accept them. And I am quite glad that they didn’t.

I’ve gotten to know myself better and how much of a control freak I am over my work. So, now I realize how much I would hate film versions of my novels. I feel the need for input and having things happen exactly how I envision them. In fact, I am teaching myself to have a new mindset, where certain publicity services should be avoided because they will mess with my ideas.

Okay, that may sound crazy. I am not necessarily saying this is a good mindset to have. But for me, it’s realistic. I get very annoyed when people do things to my work that aren’t how I intend or envision them. So, no selling film rights, traditional publishing rights, or foreign language rights, is a message to me.

I did once consider animating my books into movies myself. But, of course, that would be a huge overkill, even if I worked with others. So, that is why I want to make comics of the stories instead.

Yes, the characters won’t move. Yes, no one will hear them speak out loud like in cartoons. But it would be far less work than animating. I would just have to practice my illustration skills over time. Then I would maybe test them by offering them as free downloads from my website. If they succeeded, I would then sell them.

Writing

Behold…Some Useful Tips for Worldbuilding in Writing

Image from Pixabay

Do you currently write or want to write speculative fiction stories? Yes to either? Then let’s get rolling.

But before that, if you don’t know what speculative fiction is, it’s science-fiction, fantasy, and horror. For you, horror fans out there, unfortunately, I am not fond of it. Therefore, I don’t know much about creating horror fiction. However, these worldbuilding tips I am about to provide can apply to all speculative fiction genres. So, without further ado, here are some helpful tips for worldbuilding.

1: Be original as much as possible, but also incorporate believability

The second part of that tip is, perhaps, the most important. If you write any genre of fiction, everything should be believable. Of course, you can still have unrealistic elements, like magic, if you’re writing fantasy. But even then, there has to be limits on what things can and can’t do. And your characters should handle the situations the way real people would.

As for originality, it should sound like it comes from you. It’s still okay to use existing elements, like aliens, elves, and so on, depending on your story and intentions. However, a good number of people are tired of certain types of characters, archetypes, and tropes. That is when they’re considered cliches. When I developed the fantastical elements in my books, I actually made up pretty much all the enchanted creatures. The only types I used that were already existing were wizards and a skeleton. Obviously, all the characters are my own creations. But I think you should get the idea at this point.

2: Have limits on unrealistic elements

If you’re writing fantasy, for example, have limits on what wizardry can and cannot do. If you can’t fit them all or even any in a section of your work, then say, at the very least, that there are limits. Otherwise, readers will make their own assumptions about the magic laws in your story, including that there are few to no limits. This actually happened to me with a couple of editors. One thought the only limits in my book’s world were the ones I mentioned. Another thought that there were none at all and obsessed over it during several pages of when I introduced magic laws into my first book, just because the possibilities happened to be relevant. But that is not true at all. I even told that editor that there were lots of limits. They just were not relevant at that point. Then they said that I didn’t need to mention the limits up front, and they thanked me.

It is pretty annoying for readers to make their own assumptions over things not specified, especially since they don’t own the stories. In fact, I think it’s kind of dishonest. I don’t think they should do that at all. Sadly, people do things they shouldn’t do, and very often. But no one’s perfect. So, when you develop your speculative fiction world, remember to state that there are limits.

3: Be creative

As a writer, you should have a creative mindset. Yes, there will be times when you experience writer’s block. But when you don’t, you can use as much as your imagination as possible as long as you consider the above tips. Also, think about your own passions and if you can incorporate them into your work.

For example, I love fantasy, but I also love modern technology and life. So, I combined both elements in my books, where wizards use enchanted technology. Of course, I make it believable and give it limits.

So, there you have it. If you’re a novice or beginner in these genres or writing, give yourself some time. These tips will take years for you to execute well. But you will get there as long as you practice as frequently as possible.

If you’ve been writing great content for years, then you might already know these. But it wouldn’t hurt to expand your horizon.

fiction, movie

Harry Potter Mystery: Are Wizards Not as Concerned About Safety as Muggles?

One thing I noticed about the “Harry Potter” series is that wizards and witches don’t seem as concerned about safety as muggles do. It is constantly said that Hogwarts is one of the safest wizarding schools in the world.

However, like many, I kind of have to disagree. People have pointed out the numerous dangers Hogwarts has. There is the forbidden forest with deadly creatures that Harry and his friends are forced to go into for detention in their first year. There are also dangerous beasts in the school, such as the basilisk and the three-headed dog, a whomping willow on the grounds, and even the moving staircases. As fun as Quidditch looks, it’s also perilous. And let’s not leave out the Tri-wizard tournament. Yes, they had an age restriction. But even when Harry, who was underage at the time, was somehow entered (he didn’t do it), he still had to participate.

Regardless of the dangerous activities students can do without permission from their parents or guardians, they do need parental consent to visit the village, Hogsmeade, just a short, and safe walk from the school. People have pointed out how illogical that was. But that’s a different story.

Back to this. Although I don’t remember if it was stated in the book, in the “Harry Potter and the Sorcerer’s Stone” movie adaptation, the first-years don’t wear life jackets when on the boats to Hogwarts. The school also has the second task for the Tri-wizard tournament in the black lake, in February. Are wizards immune to hypothermia? Even if charms that prevent it exist (I’m not sure) and they’re in the black lake, there certainly couldn’t have been any in the pond Harry jumped into in “The Deathly Hallows.” And he took his clothes off, but came out okay.

It’s not just Hogwarts that doesn’t seem to be as concerned about safety as muggle schools or society would. In “The Chamber of Secrets”, Harry almost falls out of Ron’s dad’s flying car. If he just had his seatbelt on, that wouldn’t have happened. Plus, he was raised by muggles—the terrible Dursleys. As much as they despised him, they must have made him wear seatbelts in their car.

So, there you have it.

fiction

Today is Where My First Book Review Begins: And it’s Called “Unwritten” by Tara Gilboy

Up until this point, despite being a writer, I haven’t read a lot. However, I am reading more these days and am trying to get myself back into it. So, now I am going to post book reviews here. Let the thoughts come out.

“Unwritten” by Tara Gilboy

Twelve-year-old Gracie longs to know about her life before living in the real, typical world. She and her mom left it when Gracie was a baby. However, her mother refuses to share information about it. And she strictly forbids her to see the author, Gertrude Winters. Regardless of her mom’s demand, Gracie sneaks out to the bookstore. She not only meets Gertrude Winters, but also tries to receive more information about the book she wrote where Gracie came from. Gertrude Winters disappears, and it makes it to the news. From then on, things don’t go well.

I enjoyed this book as well as the characters. I didn’t like when Gracie’s mom was unfair to her in the beginning, though, as I don’t like adults treating children that way. But the writing kept me engaged and wanting to know what happened next.

That being said, there were some passive writing moments at times. But that didn’t keep me from giving up. I still would recommend this book.

I would rate it 4 out of 5 stars.

Writing

My Reaction to an Article About Setting Stories Now and What I Think You Can Do About it

Ugh! This pandemic is killing me and us all. I want to get back to full straightforward life ASAP! Okay, I don’t blog about things like this.

However, I did come across an article on BookBaby about “the elephant in the room.” The article talked about setting your story now in 2020, despite the pandemic.

It gave an example from an old story, but twisted on it where a character had to practice social distancing and stay 6 feet apart from others. The post said that there are a lot of complications with setting your story this year. Your characters would have to follow pandemic guidelines, but that could interfere with your plot. The author also said that you shouldn’t have the characters live completely typical lives, such as dining out or partying.

The person advised against setting the stories in the future since no one knows what will happen. I agree with that one. But he or she also said that you shouldn’t set it in the past since it would be unsatisfactory. However, I don’t agree with that one, especially if you only backdate by one or two years. If contemporary settings matter so much, I would still consider 2019 and even 2018 to be pretty contemporary. I think setting your stories then should be totally fine. After all, if your characters need to live normal, typical lives, then setting it one or two years before now should be understandable and even important. That is when setting a story in a certain year plays a crucial part. But I think writers should get to set their stories whenever they want. I wrote another post about that, though.

So, unless your story is centered around Covid-19, or is set in a made-up world (i.e. a make-believe planet in science-fiction or a different magical land or world in fantasy), I think it is best to set it in 2019 or 2018. Or, you could wait until the pandemic is fully over, which should be by next year, or even sooner. This could work if you need to do a lot of research or plan more.

I read the comments on that article, and a lot of people said that books should take you into another world and shouldn’t necessarily be centered around current issues. That probably would work if your story is set in the US and is between January and March.

If your story is set in a made-up world, go ahead and set it now or in the future and keep Covid-19 out of it. Otherwise, set it one or two (or more) years earlier or wait till the sense of pre-pandemic normalcy starts to return.

Writing

Unpopular Writing Opinion: Why I Wish Readers Would Accept Any Time Setting in Stories, Regardless of Publication Date

When I say any time setting, I mean any time setting. I firmly believe that authors should get to set their stories whenever they want and readers should accept and deal with the time setting. I don’t agree with the ridiculous rules that authors should only set their books in contemporary settings or historical settings, but nothing in between.

It all started out when I wanted to update my book, “The Frights of Fiji,” then titled, “From Frights to Flaws,” and I sent it to an editor. Throughout the manuscript, the editor kept complaining about the years mentioned and the fact that the story was set in 2010, even though it was first published in 2013. They seemed to tell me to update the setting to 2018 since many middle grade readers then were babies or really little. I was very offended and told them I highly disliked someone telling me when I could or could not set my stories. Then the editor felt me and said that they supported my idea of setting my story whenever I wished and that they wouldn’t tell writers when they could or couldn’t set their stories. That year-change was merely a suggestion. Yet, they also pointed out how kids today wouldn’t be able to relate to pushing buttons on phones. Um…hello? They’re going to be reading books way more primitive than that. Definitely for school. They’ll read books where candles were used since electricity didn’t exist, horse-drawn wagons were the main means of transportation because there were no cars. They’re even going to read stories where pants didn’t exist and men wore robes and togas, like in ancient times, B.C.E.

Also, must I mention that it was not until the 7th “Harry Potter” book was published that I discovered that the characters were much older than I thought. I had grown up thinking “Harry Potter” was set in the 2000’s thanks to some hints from the movies, which I watched before the books. But when “The Deathly Hallows” was published, I discovered that the events of the series happened in the 90’s, from when before I was born up until I was 4 years old, excluding the epilogue. Yes, it was a shock and disappointment at first. But I eventually got past it and accepted it, especially since the first 3 books were published in the 90’s. And no, it wasn’t because J.K. Rowling was a very big-name author.

Even on a website, someone pointed out why “Harry Potter” was set in the 90’s, and said that it could’ve been set earlier, but no one would relate to it as easily. Once again, kids have to read books like that for school. And I’m sure there’s a reason why English curriculums often require stories set too early for students to relate to. It’s probably to learn the differences. Do you think a lot of school kids now or even 30 years ago could relate to characters, like Tom Sawyer or Romeo Montague? Probably not. But that doesn’t mean they can’t enjoy it, even if they have to read it. When I was in school, there were very few books set around times we students could relate to. One I remember was “Rabbit Hole”, which I read in 12th grade. There was a scene with a video cassette, which suggested that the story couldn’t be set later than the 90’s or early 2000’s. While it felt a little awkward, it didn’t keep me from enjoying the story. Plus, it was required, so I couldn’t stop. I still liked the story, as it was.

Another time, after I republished “The Frights of Fiji” in 2018, I sent my sequel to be edited, as well. Once again, the editor removed the year I stated in it, 2010, and said it would make the story outdated. Bull poo. I even told them why I stated the year it was set. The editor said that authors can set their books whenever they liked, however, it should only be stated if important, otherwise it’s distracting. Garbage! The first book had already been published and the year, 2010, was already written as its time setting. So, I had to say the year book 2 was set.

When I started a post about this on a writing forum, while a few took my side, others did the opposite. They saw the idea of a book being set in 2010 and published in recent years as a bug and being awkward. When I said that changing the year would mess up dates and events, they saw that as nonsense. They picked it up differently than I intended, though. In book 1, my MC’s 13th birthday plays an important role. It also has to fall on a Saturday, and in 2010, her birthday, April 17th, fell on a Saturday. Had I changed the year, I would have had to either change her birthday, or make it a different day. But between 2013 and 2018, hundreds of people have already read the book’s first edition, so it would have looked bad to change the year setting.

Another person on that forum said that unless a story is centered around a certain historical event, like 9/11, it should not be set post-2000. Bird poo. And some other writers agree. They said that it would be hard to market a book set many years in the past without a reason. One writer said that a book published today that is set in 2006 without a reason looks bad. Another said that authors shouldn’t date their stories. They should be contemporary all the time and that readers should get to fill in the year themselves. Bull poo again.  

Why can’t readers see older settings from this century as a chance to learn more about those years? Seriously, what’s wrong with learning about things like flip phones, DVD rental stores, and other “outdated” ways of life? It really shouldn’t hurt. Readers should see books like that chances to be educational in terms of learning the differences of life then versus now. A book set in 2006 and being published around now should be acceptable in mainstream publishing. There’s nothing wrong with learning anything. Of course, that is as long as it’s not harmful. After all, we do or did have to learn history in school. And that is to learn not just how life was different than, but also the mistakes or bad decisions people made so that we don’t do those ourselves.

To me, fiction is only outdated if it’s offensive, such as the use of racial slurs or the damsel-in-distress trope. Basically, anything that would be insensitive to people today shouldn’t be used in writing. But years? Big deal. Authors should get to date their stories, set it in whatever years they wish, and readers should be more open to that. I wish that’s how it would be.