movie

I Can Rank the Voices of Different Disney Characters

Disney (and other cartoon) characters come with different voices, or occasionally, no voices, like Tinkerbell and Ariel for a chunk of “The Little Mermaid” after she gives hers up. Anyway, some voices sound beautiful, and some could sound better.

Here are the characters whose voices could be better:

1: Snow White – Her voice is very high.

2: Aurora – not only is her speaking voice a bit mature for her age, but her singing voice didn’t appeal to me, either.

3: Pinocchio – I find his voice a bit too high, sometimes making me favor Pinocchio in the “Shrek” movies.

Now onto the characters whose voices I have neutral opinions on:

1: Alice – Her voice is a little mature for her age, but still not bad.

2: Pocahontas – As much as I love the song, “Colors of the Wind,” I find Pocahontas’s voice to remain somewhere in the middle of beautiful and unappealing, maybe because her voice is kind of deep.

And finally, the characters with great voices:

1: Ariel – Okay, that’s an obvious one. It’s an important element to the story that her voice sounds beautiful.

2: Aladdin – I don’t know why, but his voice sounds appealing to me.

3: Jasmine – Although her speaking and singing voices were done by two different actresses, both are dazzling.

Those are just a select few since there are so many different characters.

Writing

When Should You Describe Voices in Your Writing?

Image from Pixabay

Every character should have a unique voice. And by that, I don’t just mean speech patterns, words, attitudes, and so on, I also mean physical voices. For instance, are they high, low, nasal, etc.?

I used to describe what my characters’ voices sounded like in my earlier writing days. And in my book, “The Frights of Fiji,” I do say what a few characters’ voices sound like. Two of them are described with deep voices and one is said to have a high voice. However, those were mainly done for comedic purposes. I originally published “The Frights of Fiji” in 2013 as “From Frights to Flaws.” I now refrain from explaining how my characters’ voices sound, unless it’s important to the stories.

Even my main character’s voice noise isn’t revealed. In the sequel, there is a scene where she sings a certain song. Although I state that she takes chorus at school, I don’t specify if she is an alto or soprano. That is because I want readers to use their envisions to what her voice sounds like.

Many people dislike when characters’ physical appearances are described unless they’re important, otherwise, the readers should get to picture them their ways. I happen to be the opposite with that. I am an advocate for authors to describe their characters with whatever traits they want, as long as it’s not too many (since that can bog down the narrative and be too much to remember), or offensive. I not only believe that writers deserve the right to physically describe their characters, but I also cannot picture characters clearly unless the narrators say what they look like.

That being said, it’s the reverse for voices. Since I first wrote Book 1 of my “Magical Missions” series, I learned more about the writing craft, and chose to give up with explaining how characters’ voices sound, except when it’s crucial. I would recommend that to all aspiring writers. A few voice sounds revealed here and there probably won’t matter. Just be sure not to overdo it, or else, it might overwhelm your readers.