Writing

Your Story Might Work with Fewer Words

Image from Pixabay

Sometimes, less is more with writing. If you write regularly and have studied the craft for years, you may have heard the term, “kill your darlings”. That means you should eliminate anything in your project that isn’t necessary, whether it’s content, like a subplot, scene, or character, or unnecessary words.

This was a big struggle with my own writing. In my early writing days, I would write too little. However, as my skills improved, so did my ability to produce more words in my work. Little did I know that a good number of those words were not needed.

This was especially an issue with my series’ second installment, “Wizardry Goes Wild”, which is now retitled “The Unruly Curse” and has been given several changes, including…a shorter word count. I’ve discovered, when editing that story, that nearly 20,000 words weren’t necessary. Reviewers had even complained about the writing, and I’d thought they had been crazy, as it’d felt perfect and flawless to me. In fact, I’d thought it’d read like a traditionally published bestseller.

Anyway, due to the unsatisfying reviews (but not enough that the overall rating was poor or even just neutral), I pulled “Wizardry Goes Wild” off the market and edited it. I had eliminated 13,000 words and republished it as “The Uncontrollable Curse”. In spite of the reworking, the reviews were, at most, just as unpleasing, if not, more.

That was when I got a content edit from an editing service. Although this wasn’t their idea, I removed two chapters from the story. They didn’t serve much of a purpose.

When I republished book 2 the third time as “The Unruly Curse”, the readers gave better reviews than the previous times.

So, remember, always read through and edit your work, as well as have someone else do the same. And I suggest it’s NOT somebody you know personally, as he or she may be biased and afraid to hurt your feelings. After all, your story may need fewer words than you might realize.

Writing

Want to Revive Your Childhood Imagination? If so, Be Careful

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Many young children love to play make believe and use their imaginations. Some like to be more creative. A handful might like to make up concepts in their minds. I was definitely like that.

As a little kid, I would imagine fan fiction of my favorite movies and TV shows and dream of seeing them—unaware of copyright law then. I also imagined my own ideas of TV shows.

When I was around 7 years old, I read a book called “Morris Goes to School”, which was about an upright moose who went to school with children. It was cute for a small child.

That had inspired me to write my own version, but about an upright polar bear named Spike.

Later I evolved Spike into a child polar bear who also went to school with children. Not long after, I did a spinoff of one character and imagined a series about her living in a house in a jungle with talking animals as her friends.

At about 10, I abandoned the idea of that imaginary series. However, fast forward 6 years and the idea came back into my mind. I was so excited that I wrote it into a novel. Sadly, no one, except those I knew personally, found it appealing. So, once I was 18, I removed it from the market.

No matter how much you love and value something, it isn’t always going to please people, especially if you do little to no research on that idea. Few adults and older kids are interested in reviving their childhood imaginations. Fewer want to hear or know about it.

As you get older, you realize certain ideas make little to no sense or aren’t as good as you thought when you were younger. Hey, that’s growing up.

So, while other writers tell you to write down any idea you have for a story (which I totally agree with), unless you’re writing it just for yourself or maybe friends and family, be careful with trying to market that idea. You may have to do a lot of research. You’ll also have to study the writing craft if you haven’t started already. And the progress can take several years. I’m not exaggerating—it took me 7 years to develop my writing voice and be able to write great books. Not just good. Believe me, it’s not nearly as satisfying as it sounds. After a while, I took the less-than-great books off the market.

Writing

Why I Don’t Base My Characters Off of People I Know

You’ve probably heard this from many authors: base your characters off people you know. A lot of writers do that, including big ones like J.K. Rowling. However, unlike them, I never base characters off people I know.

That being said, I do often develop them like people I know. Many characters in my books were developed like family members and people I went to school with, including teachers.

However, the ideas of those characters were often for plot convenience or inspired by other fictional sources, such as movies, books, or even legends. In fact, the antagonist in my second book of the “Magical Missions” series was inspired by the Grim Reaper. Believe it or not, in early drafts, he was more like the death figure: pure evil and carrying a scythe. But now he is not like that. I developed him to make the readers sympathize with him more. I won’t spoil anything else from the story, though.

Why don’t I base characters off people I know, you might ask? Because I just feel uninterested and find basing my characters off of other fictional sources better. My life has been pretty straightforward and ordinary. While I’m more social than I used to be, real people inspiring me for characters just doesn’t happen.

Writing

I Am Not Like Other Writers…And Let Me Tell You Why

What makes me different from other writers, you may ask? Do you know how writing experts say that all authors must love reading, too? Well, that’s not how I am.

Yes, it might be strange for me to say this, but while I love writing, I don’t love reading. You read that right. I hardly ever read for fun. Usually, I read to enhance something for myself or if I’m forced to—which hasn’t happened in years since I’m out of school and college.

The last year I’ve enjoyed reading stories for fun was 3rd grade. Starting in 4th grade, I’d only read non-fiction for fun. Not much has changed with that since—well, except in 8th and 9th grade. I would only read “Harry Potter” for pleasure. I constantly borrowed the books from my school library. And because I started reading them after the first four movies had been released, I read the novels out of order. It was no problem.

Anyway, another unique trait in me is that I’m not just a weak reader for my age, but I also have younger tastes. I am not kidding. I would often get surprised when I heard about young children reading about characters at least a few years older than them and advancing faster than I thought. There are even complex books for kids who advance quickly, but are appropriate for their ages.

When I heard about a 7-year-old who wouldn’t be caught dead reading Dr. Seuss and read “Diary of a Wimpy Kid”, I was thinking Caught dead? At that age, I was constantly borrowing Dr. Seuss books from my school library. I also heard about a 4th grader who read about 14-year-old main characters. When I was that young, 14 would’ve been an extremely big number for me, and I would’ve considered myself way too young for that. I am not exaggerating. The first time I read about a 14-year-old character was early 8th grade, and that was “Harry Potter and the Goblet of Fire”. I was reading about characters at that age when I was 16. I also read “Judy Moody” when I was 10. I’m, like, the only person who read down a lot—the opposite of many people, children and adults. My mom even had to stop me from reading a certain book for school summer reading because it was too young.

Excluding required stories for school, I’ve rarely read up for fun. I read the 7th Harry Potter book from age 13-14 (I read super slowly and have a short attention span) and where the protagonist is 17. But that was only because it was a bestselling franchise. Had it been at the level of “Percy Jackson” or “Eragon”, I likely would never have touched the book.

Last year, right before turning 25, I was just getting interested in new adult stories. As a college freshman, my classmates would discuss books like, “The Help” while I was far from ready to outgrow young adult novels.

On the bright side, if you write children’s books, reading other stories in your target audience’s age range will help you with your own writing. So, there’s a benefit of reading below your level.

Above all, don’t let others judge you. Be who you want to be. Read what you like and when you want. Hey—it might benefit your own writing.

Writing

Music Makes Editing Much More Fun

Image from Pixabay

Who doesn’t love music, regardless of genre, mood, and everything else? I like to play it when I do chores, sometimes drive (only when I stop, of course), and when I edit. But not just any kind of editing—the text-to-speech kind.

Yes, your computer probably has it—if it’s a more recent model. And you know what? It’s a huge savior for spotting spelling, grammatical, and pretty much every kind of error. At least for me, it is.

While I don’t usually play music when I’m having text-to-speech reading for shorter documents, they make a big difference for longer documents, like novel manuscripts.

Before I discovered music makes the reading more pleasurable, I would use text-to-speech for one chapter a day. And that would take forever. Then, came along my discovery for music playing when using the text-to-speech feature. Boom! I had a grander time editing and would have the voice read at least a few chapters. I sometimes didn’t want to stop.

What kind of music do I play, you may ask? Pop, showtunes, and Disney—but in instrumental versions, like piano pieces. Lyrics would probably distract me. Plus, the tunes still sound great on the piano, if not, better—sometimes.

Reading your work aloud always makes a difference and you can spot errors more easily. But if your voice is tired or you’re in public, just look up how to use the text-to-speech feature. Then sit back, relax (and wear earphones if in a public setting), and enjoy your text being read to you as well as music on your computer (or phone if you are at home and you can play things without earphones). Yes, you can have more than one form of audio on your computer. I’ve done it before. What do you think?

Writing

Publishing When You Think You’re Ready, But Really Aren’t

I’ve had such a bad habit of publishing when I thought I was ready, but really wasn’t. Now I have a bunch of books on Amazon that are unavailable, but sadly, still listed because hardcopies stay on retail sites forever. Now I have given myself a rule to not publish paperbacks unless my reviews are great, not just good or decent. But that’s another post.

Before publishing my books, I have pre-tested them to see if they received satisfying reactions. They have. But after I published them, while many reviews were good, the overall ratings were not amazing.

That’s what you want when you publish. Fantastic, wonderful reactions. I’m not exaggerating. I’ve experienced receiving just good enough reviews. And believe me, they aren’t as satisfying as they sound.

So, now I have a second version of one book published and a third version of that story’s sequel on pre-order. It took me seven years to find my writing voice and for it to mature. I’ve had a habit of wanting to share my stuff with the world, even if it was no good. Now I’ve learned to hone and make my works the best they can be before letting anyone see them, unless it’s for editing or critique.

So, before you get excited about letting the world see what you’ve made, pre-test it with others, and see if the feedback is excellent. I mean that. If it’s only okay, you’ll regret your decision later. So, take your time with your ideas.

Writing

Why You Should Wait to Publish a Hardcopy of Your Book

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I know, I know. Many people prefer hardcopies over eBooks. Many writers and publishers will say you should have a hardcopy or paperback available with your eBook.

I agree…if you’re satisfied with your reviews. I realized this recently. I’ve published too many premature books that got just okay reviews but not super-satisfying ones. So, I removed them from the market. However, only the eBooks are gone forever. Sadly, the print books will be there for the rest of time. Amazon and other retailers list print versions for third-parties to sell copies, even if the author removed them from the market. And if the paperbacks and hardcovers are listed permanently, the reviews will be there forever.

Now I have a bunch of books on Amazon that aren’t available anymore (except maybe from third-party sellers) but will never be taken down. I hope it doesn’t ruin my reputation as an author.

That’s when I started to give myself a new rule: no print copies may be published unless I have at least a few reviews that are very satisfying—not just so-so. That way, if I’m not happy with the reviews, I can remove the eBook and the listing shouldn’t stay up.

If you’re traditionally publishing, this might not work as the publisher will have the rights. But if you’re self-publishing, then I would highly recommend this, even if you send out pre-publication copies and they’re all satisfying. That excludes people you know personally.

I have an eBook on pre-order and it’s the third time publishing a particular story that has only okay feedback the first time and even the second time, despite the drastic changes I made. I revised and removed even more material in this third edition. I am still nervous about the reactions, both before and after publication.

Hopefully, the reviews will be more pleasing than ever. But if they’re not, I will know what to do.

Writing

Save Time with Shorthand Writing

My handwriting has always been sloppy. I have also written big and not very quickly. Sometimes, in school, I fell behind in handwriting assignments.

I also have preferred to handwrite my stories at times. Why? Because there are no computer distractions, such as the internet, and I found my handwriting speed to be, ironically, faster in recent years. However, because of the quicker motions, my hands often hurt. So I couldn’t write as much as I wanted, even if I abbreviated things (i.e. u for you).

I discovered shorthand writing when looking up ways to hasten up my handwriting. At first, I was resistant to it because I felt it would’ve involved too much work. But boy, was I wrong. It didn’t take a very long time to learn. In fact, it almost became a default habit.

I started out with writing the alphabet in shorthand. Then I wrote short phrases such as “I love you” and “happy birthday”. After that, I moved onto short songs that don’t repeat phrases and that I knew by heart. Although it was no longer holiday season, I translated the lyrics to “Rudolph the Red-nosed Reindeer” into shorthand. Hey—no one was going to see it, anyway. Nor would anybody know what the sentences said. I also translated a couple showtunes into shorthand. Finally, I did entire first pages of books, such as “Diary of a Wimpy Kid” and “Harry Potter and the Sorcerer’s Stone”.

Due to other things happening, I haven’t used shorthand writing in a long time. However, I will come back to it. It’s good to keep up with something that can expedite your handwriting, as long as you don’t have to share the works with other people.

Writing

Why I Differentiate My Characters from Myself

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Many authors base their characters off of people they know. A high percent of people also base their stories off of real-life experiences. However, I am different. I rarely or never do any of those things.

One: I find my life experiences too ordinary and straightforward. Two: I find it more exciting to make them very different from me.

For example, the MC of my novels is Irish Catholic, blonde, and has had a tragic life. I am Indian and Hindu, dark-haired, and has lived a typical life with hardly any tragedies. I lost my paternal grandpa when I was 2, so I don’t remember him. My maternal grandpa died when I was 22 but I didn’t cry. I only experienced shocking pain for a few hours. That’s really it for the sad moments in my life.

I could explain my MC’s tragic life. But that is within the novels. You can find them through reviews, excerpts, or if you choose to purchase the books.

Anyway, I find varying and differentiating things far more fun than making them like me. After all, the world would be a boring place if we all thought the same things, even if that meant little to no conflicts. I could be wrong, though.

Differentiating characters from myself also opens more room for growing knowledge, even if that means extra research. If I wrote about Hindu characters, I probably would not have to do as much research. But I would also get bored. And if it’s boring to write, it’s usually boring to read.

While I rarely make characters similar to myself, I never base them off people I know. But that will be for another post. That being said, I do give some similarities occasionally, such as food tastes. Overall, though, I differ from other writers.

Writing

Unintentional Symbolism and Messages I’ve Made in My Writing

Image from Pixabay

Have any of you wrote something and didn’t realize anything significant about your work until long after? I have. They are symbols and messages I didn’t discover until a lengthy time after writing the projects.

For instance, in my first book, “The Frights of Fiji” (formerly, “From Frights to Flaws”), there are mermaid-like women, but with dolphin tails, who sing certain songs as a way of informing others of their presences. Those songs ended up relating to the situations they were encountering or leaving.

In my second book, “The Uncontrollable Curse” (formerly “Wizardry Goes Wild”), my MC wants her dog to attack the antagonist, who is a skeleton. At the time I wrote the story, I tied that dog vs. skeleton situation with historical context—not because of the “dog-eating-bones” stereotype.

Another unintentional message I ended up making in that installment was about history repeating itself. I’m not going to spoil anything, of course (“The Uncontrollable Curse” hasn’t even come out yet), but the book does tie a lot of Puritan and Salem Witch Trials content. My MC is cursed with involuntary magic. When she does it, others misunderstand and become afraid of her. This ties to how people during Pilgrim and witch hunt times were miscomprehended and feared when they were just different. While people who were found guilty of witchcraft were hanged and/or burned, the “witch” (my MC) is penalized for her sorcery by getting detention at school, suspended, excluded from activities, and more (I won’t give away anything else).

I have yet to discover any accidental messages or symbols in my third book. But hey—it might happen.