Writing

Why I Chose to Write Fantasy

Image from Pixabay

I have always enjoyed fantasy more than most other genres. I read the entire “Harry Potter” series in my early teens. In fact, at that time, it was the only thing I would read for pleasure.

I have always been attracted to magic, fantastical elements, and supernatural ideas, for as long as I can remember. I am a highly imaginative person who likes to create and brainstorm.

The idea of my book’s main character dates back to when I was in elementary school. Then she returned to my mind in my adolescence and I developed everything about her from there.

One thing about fantasy is that you can have more freedom with your stories since there is worldbuilding involved as well as other enchanted elements. Of course, the literary devices should still be believable and make sense.

When I first published the sequel of my “Magical Missions” series in 2016 as “Wizardry Goes Wild,” there were still a lot of flaws, including with credibility. One struggle involved having my characters react to magic in a believable way. 

After pulling the original edition from the market and fixing the issues, I decided on a change. Instead of trying to get the characters to react to extreme situations more credibly, since I still had trouble with it, I made certain situations milder, as long as they didn’t need to be severe. For example, there is a scene with a magical robotic bee. But that was originally a fake shark that functioned like a real one.

Basically, I just love fantasy and being very creative, which is why I like to write in that genre. I probably wouldn’t try horror or science-fiction, though. Horror scares me and science involves more research as well as math. Yet, with fantasy, I have more freedom along with fun.

fiction

How Magic Shapes My Characters

What is fantasy without magic? My “Magical Missions” does not differ from that.

However, the magic laws and culture do stand out from other fantasy books. One is that they are set in modern-day America, and the other is that wizards have their own enchanted technology far more advanced than the regular kind. 

How does this shape my characters? The protagonist, Alyssa, has grown up not believing in magic… until the start of book 1, “The Frights of Fiji.” Of course, she reacts with surprise as do the other characters. Or they don’t believe her. Those that do witness wizardry are either amazed or scared.

In the sequel, “A Curse of Mayhem,” Alyssa has already gotten used to magic, even though it hasn’t interfered with her life for the past 6 months. Unlike then, though, she is performing it against her will and longs to remove it. Of course, it involves lots of complications.

While Alyssa’s friends stand by her as does her guardian, most of the characters fear and misunderstand her, especially her school principal. He sees her sorcery as threatening and dangerous. Therefore, he gives her detention several times. Alyssa also ends up at risk for expulsion. Of course, I won’t spoil anything.

Wizards and non-magical people (there is no specific term for them) share the same world, although magicians hide their supernatural culture and skills differently. They will either blend their buildings in with security charms, put invisibility shields around them, or disguise things around ordinary people.

I do explain on my website how wizards hide their secret world. But this is how magic shapes my characters.

You can also buy Book 2 here and Book 1 here.

Writing

Stories Within Stories: When They Work, and When They Don’t

Image from Pixabay

Have you ever read a book with a story within it? I have. 

A notable example includes “The Tale of Three Brothers” in “Harry Potter.” In cartoons, there is “The Crimson Chin” in “The Fairly OddParents,” and “The Justice Friends” in “Dexter’s Laboratory.”

In a book I read, it started out with a background description as well as a bunch of characters. One was an old lady reading to a group of children. I would have continued that story, but it bored me since after several pages, I couldn’t get to the action. The woman just kept reading.

I agree with many experts that stories should start as close to the inciting incidents as possible. Prologues are also not recommended these days unless done exceptionally well.

Anyway, back to the topic. I don’t think the story in a story idea should be reserved for top authors. However, it should be relevant to the main plot, engaging, and not too long. Otherwise, the reader might give up.

You could do a spinoff as long as it will work and keeps your audience engaged. I have a spinoff of my current book series in mind. I won’t spoil anything, but I will say that it’s not a story within my books. It might be years until I write it, though.

Do you like stories in stories?

Writing

Writers, Should You Hire a Beta Reader?

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What is a beta reader? It’s someone who gives you feedback on your story and its literary elements, such as plot, characterization, conflict, etc. They don’t edit your work or rewrite weak sentences.

So, if you are considering hiring a beta reader, here are some aspects you should be aware of.

Pros

Cheaper than traditional editors

Many book editors, especially those who have worked with big-name best-selling authors (like Stephen King), can charge lots of money for their services. They can range from hundreds to even thousands of dollars.

There are people with that kind of money. But unless you are one of them, start off with a beta reader.

Can return work more quickly 

Depending on the editor and the work, it can take at least a week or month to have the project returned to the client. From my experience, though, beta readers may take less time before they give the customers feedback. This can vary, however, depending on the reader and other factors.

Cons

Might not necessarily answer the writer’s specific questions 

With my last beta reader experience, I sent a bunch of questions to the person that concerned specific issues in my manuscript. The beta reader clarified that she was not an editor, so I said that she could answer the questions she felt were relevant. Sadly, she didn’t answer any.

Can be tough

Despite working on my manuscript for nearly 5 years, the beta reader said it needed a ton of work. Other beta readers bashed my projects, too. However, when I showed them to editors, the stories pleased them. For my current WIP, an editor said that it was strong and only needed minor editing.

I don’t know how typical it is for beta readers to be super-tough, but I am giving my manuscript to other beta readers as well as a developmental editor.

Remember to do what you think will work for you.

Writing

When it’s Okay to Turn Off Your Inner Editor

As people learn the writing craft, they discover how to word their sentences, what types of words and phrases to avoid, and what sentences engage readers the best.

Because of that, many folks will strive for perfection. That is one of the causes of writer’s block. There are times where you need to worry about producing the best work possible and when you can turn off that inner editor or critic.

I, myself, have been struggling to write while on lockdown for a couple of months. I discussed this issue on a forum, and one person suggested to just write more sloppily and polish it during the editing stage. I tried it and it really worked.

Aside from when you are working on a story and you develop writer’s block, there are other times you shouldn’t let an internal critic stop you. One example is free-writing. By that, I mean writing any thought that comes to your mind, no matter how silly it might seem. It’s a great way to revive your creative juices. For the most part, it has worked for me and I have written more easily after free-writing.

Another technique is to put your work aside and find other hobbies. Unless you are working toward a strict deadline, you can take a break from your story or whatever you’re working on. You are in control of telling your inner critic that you need a break from your writing. As you focus on other activities, the internal editor will be suppressed until you feel ready to return to your work.

In fact, taking occasional breaks from your writing may help you improve your works-in-progress. You come back as if you had a fresh new pair of eyes. Then you can see more room for improvement.

Obviously, the inner critic matters at times, such as when you submit your work for editing or publishing. But if you struggle to write as best as you can, turn off the imaginary editor and write in whatever way feels natural at that moment.

fiction, movie

I Want to Make Comic Book Adaptations of My Books

Who wouldn’t love to see visual versions of their novels? Many writers dream of their books becoming movies. But only a handful of books get adapted to films, and the authors usually don’t have any creative control whatsoever. Only big names, like J.K. Rowling, may be allowed control. The filmmakers often say that what looks good written on paper may not necessarily translate well to the screen. They also worry about their chances of success if they permitted the author creative control.

Regardless of what movie crews claim, I notice that it often backfires. Many film-adaptations of books where the authors were completely left out of the projects have mixed or negative overall reactions. Those, such as ” Harry Potter”, do better. The books already sold well on their own prior to the movies being optioned.

I, too, have dreamed of my books being movies. In fact, I used to try and sell film rights through certain sites many times. But it was too premature and no one would accept them. And I am quite glad that they didn’t.

I’ve gotten to know myself better and how much of a control freak I am over my work. So, now I realize how much I would hate film versions of my novels. I feel the need for input and having things happen exactly how I envision them. In fact, I am teaching myself to have a new mindset, where certain publicity services should be avoided because they will mess with my ideas.

Okay, that may sound crazy. I am not necessarily saying this is a good mindset to have. But for me, it’s realistic. I get very annoyed when people do things to my work that aren’t how I intend or envision them. So, no selling film rights, traditional publishing rights, or foreign language rights, is a message to me.

I did once consider animating my books into movies myself. But, of course, that would be a huge overkill, even if I worked with others. So, that is why I want to make comics of the stories instead.

Yes, the characters won’t move. Yes, no one will hear them speak out loud like in cartoons. But it would be far less work than animating. I would just have to practice my illustration skills over time. Then I would maybe test them by offering them as free downloads from my website. If they succeeded, I would then sell them.

Writing

Want to be a Serious Writer? Be prepared… it’s Expensive, But There are Some Tricks to Save Money

I have been honing and practicing my writing skills for nearly a decade. Along the way, I’ve had to spend money on editing, cover design, and marketing services. It cost a lot. I am not kidding.

I also fell into the trap of using “self-publishing” services, which were actually vanity presses. They offer publishing packages from hundreds to even thousands of dollars. And those books sell few to no copies. I would avoid those at all costs. And not just because of the pricing, but because of how they treat authors, take their money, and result in poor sales of their books. Try to use legitimate services where you just upload your materials, such as Amazon KDP or Draft2Digital. Both are free to publish on.

But it’s more than just that. I will return to the publishing and marketing topics after I discuss editing and cover design.

Editing can be pretty expensive. Some editors will even charge thousands of dollars for their services, especially if they’ve worked with big-name, bestselling authors. So, unless you already have the money, I would suggest avoiding those. There are editing services that charge moderate amounts. There are also beta readers, who are usually quite affordable. Many don’t price their services over $100. It may be worth using them for content editing.

Also, a lot of editors will be willing to split the payment plans. That might be useful if you don’t want to spend too much money at once. Another approach is not to get every single draft of your manuscript edited. I don’t just mean the sloppy first draft, but any draft you may feel needs more work… from you.

Everyone’s writing process differs, so the editing necessities will vary, too. If you’re new to writing, it may be challenging to improve your writing abilities without customized feedback. You can read books on the writing craft and more, but they could only take you very far. My suggestion would be to spend less on any unnecessary items outside of your writing time. Or take a side job and save your earnings for book production service.

Which brings me to the next part: cover design. Unless you have a great reputation in graphic design or illustration, it’s best to hire someone. But like editing, some may split the payment segments. Keep in mind your book’s genre and what cover design would be appropriate and attract more people. Regardless of that saying, everybody judges books by their covers.

Now back to marketing. If you self-publish on Amazon, you can price your book as low as 99 cents. If you do the select program, you can run a free promotion for up to 5 days. However, if you do KDP select, your eBook can’t be available anywhere else digitally, like your website or blog. You can also ask Amazon to make your eBooks perma-free by publishing them on sites like Barnes & Noble or Kobo, and making them free. This is an option if you publish through Draft2digital. Amazon may or may not price-match your book to other retailers. If you write a series, Amazon might be more likely to allow you to make the first installment free.

There are a lot of eBook promotion sites that will share free and 99-cent eBooks. And they usually cost less than $100. Maybe even $50.

So, there you have it. While being a writer won’t prevent you from spending a lot of money, you can still use these techniques to pay less.

fiction

Interview with Author, Tara Gilboy

As someone who enjoyed her book, “Unwritten,” I am interviewing the author, Tara Gilboy. See the questions and answers below and enjoy!

What do you find the most enjoyable about writing?

I think for me, brainstorming and coming up with new story ideas is always the best part of writing. I love looking at the world as a potential source of story ideas, and I love doing research on them. Of course, after that, the hard work sets in, as I then have to develop the plot and characters in those ideas. But I am always happiest when I am imagining new worlds and possibilities.

What genres do you like to read in now?

I am a very wide reader: I read in pretty much every genre! Right now, since it’s fall and getting to be Halloween time, I have been reading a lot of scary stories, but I also am a huge fan of historical fiction, fantasy, mystery, nonfiction, you name it. I do tend to read a lot of middle grade and young adult books more so than adult novels, partly because that is what I like to write, and partly because I love the way they focus on good, old-fashioned storytelling.

Who is your favorite character in your book?

It is so hard to pick just one! Gracie, my protagonist, is of course my special favorite, but I loved writing Cassandra because she is just so complicated and evil! And Gertrude Winters and I have a lot in common, so I have a special place for her too. And then Walter, of course…. I love them all!

Who is your favorite fictional character in general?

I think if I had to pick just one, I would say Hermione Granger from Harry Potter. When I was a kid, I was always happiest reading, so I think I am drawn to her because she reminds me of myself when I was younger.

Where do you get your ideas?

I wish I knew the answer to this! Ideas come to me all the time. Sometimes I’ll get an idea from something I read or from people I know. If I am searching for ideas, I will often visit a place like a museum or art gallery, because I always leave feeling inspired. The trouble for me is not finding ideas; it is selecting the right idea, the one I am excited enough about that I am willing to commit to it long-term. I often start stories and then put them aside halfway through because I lose interest in them. But I would say that my number one source for ideas is reading. Reading other books by writers I love always inspires me and makes me want to write. 

What other genres would you ever want to write in?

I have always wanted to write historical fiction, and in fact, I have probably started and stopped nearly a dozen historical fiction projects in the last few years alone. I love to read historical fiction and so have always wanted to write it, but somehow I always find myself either stalling or getting bogged down in the research. I feel confident, though, that I will finish one of these historical projects eventually! I also have an idea for a true crime story that I would like to work on, so I have been doing research on writing true crime narratives lately as well.

What was your favorite book as a child?

It is tough to pick just one! I was obsessed with both Laura Ingalls Wilder’s Little House on the Prairie series and Frances Hodgson Burnett’s A Little Princess

What types of scenes do you enjoy writing most?

My favorite kinds of scenes are ones that make me laugh. Sometimes the scene itself isn’t even funny, but I find myself laughing because I am so taken aback by what a character just said or did. I like writing scenes where the characters surprise me and go in a direction I hadn’t expected when I first sat down to write. Those are usually scenes with a lot of emotional intensity.

What did you struggle most with when writing your book?

I think in my first book, Unwritten, I struggled most with making the “rules” of my magical world clear. The concept I had undertaken, writing of a girl who is a character in a story, ended up being a lot more complex (and potentially confusing to readers) than I had anticipated when I started. I was really lucky to have a great workshop group and critique partners who helped me along the way. I also always really struggle with plot and structure. I find that plotting gets easier, though, once I have my character’s main goal or drive figured out. Until I know what my main character wants, I don’t really have a story.

What character can you relate to most?

I think I relate to Gertrude Winters the most, perhaps because we both share a love of writing. And in Rewritten, Gertrude is struggling with a nasty case of writer’s block, something I can definitely relate to!

Are there unique details you pick up on in fiction, either visual or written?

It depends on what and why I am reading. Reading is my absolute favorite thing in the world, and so I try to just let myself sink into the story. I don’t want to always be looking “behind the scenes” at the way a story is constructed. That said, after I’ve read a book I love once or twice, I will often go back to it and look at what specifically makes it work so well. And when I am struggling with something in my own writing, I often look at books or scenes that are similar to mine to see what strategies the author used to handle various issues that came up. For example, when I needed to write a scene about a fire, I read a lot of different books with fire scenes (for example, the fire scene in Jane Eyre, where Jane puts out a fire in Mr. Rochester’s bedroom) to see how other authors had handled it.

Do you ever notice elements in fiction that others don’t?

I think so, but then again, many of my students and friends notice things in fiction that I don’t too. I tend to look a lot at plot and structure when I am reading, and I have some wonderful friends who are always reminding me of the beauty of language and lyrical prose. I think we all look at slightly different things as readers and writers, and so we always learn from each other.

What is your writing pet peeve?

My biggest writing pet peeve is writers who show off at the expense of the story. It is something I used to struggle with when I first started writing, and I had to train myself not to do it. The plot and characters come first and foremost: writers can’t be afraid to cut paragraphs and scenes, even if they love the language, if they don’t contribute to the overall story. Also for some odd reason I dislike the word “myriad.” I’m not sure why, but it’s always been a pet peeve of mine.

Thank you so much for having me!

Writing

Why I Don’t Title Chapters in My Novels

Contrary to what others have said, novels don’t need chapter titles. Okay, that may sound amateurish and you may be looking at me like I have five heads. But I did a Google search and the answer was that novels do not have have titles for their chapters.

That being said, it’s still a good idea, especially if you’re writing chapter books for younger kids. I write middle grade books, which is for mostly 8 – 11-year-olds. And now here is the answer to why I don’t title my chapters: too much effort.

Coming up with titles for anything, whether it’s a book, chapter, blog post, and so on, can be difficult. I struggled with brainstorming strong titles for my two published novels. Book 1 of my series has had two different titles while book 2 has had 4. Book 1’s original title was “From Frights to Flaws”, and many said it was weak or made no sense. So, after republishing the story as a new edition, I considered changing the title as the sales were still not satisfying. I came up with “The Frights of Fiji”, which received more popularity in a poll than “From Frights to Flaws.” 


Book 2’s original title was “Wizardry Goes Wild.” Like book 1, I republished it, but three times since when I published a second edition of it as “The Uncontrollable Curse”, despite the changes I had made, the reviews were unsatisfying. So, I made major edits to it and then republished it as a third edition titled, “The Unruly Curse.” Once again, sales weren’t good, in spite of the better reviews. That was when I finalized on the current title, “A Curse of Mayhem.”

Basically, I feel it’s too much work to give my book chapters titles. If you’re writing fiction, chapter titles are optional, unless you work with a commercial publisher and they make you title your chapters. However, I think chapter titles are necessary if you are writing non-fiction, whether you submit to a traditional publisher or you choose to self-publish. If you title your chapters, remember to be creative and don’t be afraid to ask for help, even privately.

Writing

Behold…Some Useful Tips for Worldbuilding in Writing

Image from Pixabay

Do you currently write or want to write speculative fiction stories? Yes to either? Then let’s get rolling.

But before that, if you don’t know what speculative fiction is, it’s science-fiction, fantasy, and horror. For you, horror fans out there, unfortunately, I am not fond of it. Therefore, I don’t know much about creating horror fiction. However, these worldbuilding tips I am about to provide can apply to all speculative fiction genres. So, without further ado, here are some helpful tips for worldbuilding.

1: Be original as much as possible, but also incorporate believability

The second part of that tip is, perhaps, the most important. If you write any genre of fiction, everything should be believable. Of course, you can still have unrealistic elements, like magic, if you’re writing fantasy. But even then, there has to be limits on what things can and can’t do. And your characters should handle the situations the way real people would.

As for originality, it should sound like it comes from you. It’s still okay to use existing elements, like aliens, elves, and so on, depending on your story and intentions. However, a good number of people are tired of certain types of characters, archetypes, and tropes. That is when they’re considered cliches. When I developed the fantastical elements in my books, I actually made up pretty much all the enchanted creatures. The only types I used that were already existing were wizards and a skeleton. Obviously, all the characters are my own creations. But I think you should get the idea at this point.

2: Have limits on unrealistic elements

If you’re writing fantasy, for example, have limits on what wizardry can and cannot do. If you can’t fit them all or even any in a section of your work, then say, at the very least, that there are limits. Otherwise, readers will make their own assumptions about the magic laws in your story, including that there are few to no limits. This actually happened to me with a couple of editors. One thought the only limits in my book’s world were the ones I mentioned. Another thought that there were none at all and obsessed over it during several pages of when I introduced magic laws into my first book, just because the possibilities happened to be relevant. But that is not true at all. I even told that editor that there were lots of limits. They just were not relevant at that point. Then they said that I didn’t need to mention the limits up front, and they thanked me.

It is pretty annoying for readers to make their own assumptions over things not specified, especially since they don’t own the stories. In fact, I think it’s kind of dishonest. I don’t think they should do that at all. Sadly, people do things they shouldn’t do, and very often. But no one’s perfect. So, when you develop your speculative fiction world, remember to state that there are limits.

3: Be creative

As a writer, you should have a creative mindset. Yes, there will be times when you experience writer’s block. But when you don’t, you can use as much as your imagination as possible as long as you consider the above tips. Also, think about your own passions and if you can incorporate them into your work.

For example, I love fantasy, but I also love modern technology and life. So, I combined both elements in my books, where wizards use enchanted technology. Of course, I make it believable and give it limits.

So, there you have it. If you’re a novice or beginner in these genres or writing, give yourself some time. These tips will take years for you to execute well. But you will get there as long as you practice as frequently as possible.

If you’ve been writing great content for years, then you might already know these. But it wouldn’t hurt to expand your horizon.